Heading for a spin

Vienna

Having to take 200 object photographs every week for an assignment is stepping out of one comfort zone and into another, because those objects never mind being in the picture, pose exactly the way I want it and don’t scream when I drastically alter their appearance. And object photography can be lifted out of the commercial (and boring) sphere as demonstrated by Anne Collier’s Problems, Edmund Clark‘s Still Life Killing Time and Ishiuchi Miyako’s Hiroshima.

ON REPEAT: Yukon Blonde - Brides Song
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